CALVIN WEIR-FIELDS’ INTERNAL CONFLICT IN RUBY SPARKS FILM A GRADUATING PAPER

ANITA NUR HANIFAH , NIM. 10150007 (2014) CALVIN WEIR-FIELDS’ INTERNAL CONFLICT IN RUBY SPARKS FILM A GRADUATING PAPER. Skripsi thesis, UIN SUNAN KALIJAGA.

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Abstract

2014 This graduating paper conducts a research of Ruby Sparks film. It focuses on the analysis of the main character; Calvin Weir-Fields’ internal conflict. The film offers the strong highligt of Calvin Weir-Fields’ psychological aspect, especially his internal conflict. Conflict has become a natural thing in both real life and literature. In addition, conflict is the main point of the plot in a literary work. As a qualitative research, it tries to answer two research questions; what Calvin Weir-Fields’ character is described in Ruby Sparks Film and how do three orders of Lacanian psychoanalysis work in Calvin Weir-Fields’ internal conflict. The analysis of internal conflict is conducted using Lacanian psychoanalysis that consists of three orders; The Real, The Imaginary, and The Symbolic as the orders of the process in finding self-existence. Lacanian three orders of psychoanalysis that are applied in analyzing the internal conflict of the main character needs the aspect of Calvin’s interaction to the other characters. The three orders of Lacanian psychoanalysis consists of external conflict and internal conflict, especially in The Imaginary and The Symbolic. It shows the natural process of internal conflict formation in the main character. The connection between subject’s interaction with the other in Lacanian three orders leads to the idea that the characteritics of the main character influence the formation process of his internal conflict. The analysis of The Symbolic in Calvin’s case shows the domination of imaginary phallus over symbolic phallus that leads the internal conflict dominates over the external conflict.

Item Type: Thesis (Skripsi)
Additional Information: Pembimbing : Danial Hidayatullah, M. Hum
Uncontrolled Keywords: Key Words: Lacanian Psychoanalysis, The Real, The Imaginary, The Symbolic, Mirror Stage
Subjects: Bahasa Inggris
Divisions: Fakultas Adab dan Ilmu Budaya > Sastra Inggris (S1)
Depositing User: Miftahul Ulum [IT Staff]
Date Deposited: 30 Jun 2014 08:03
Last Modified: 15 Oct 2015 11:14
URI: http://digilib.uin-suka.ac.id/id/eprint/13113

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