<> "The repository administrator has not yet configured an RDF license."^^ . <> . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n"^^ . "The title of this project is called Alienation of Modern Man in John\r\nSteinbeck’s Of Mice and Men. The purpose of this paper is to analyze the\r\nalienation of George Milton who is the main character in Steinbeck’s Of Mice and\r\nMen due to modernization and to analyze the alienation features of George Milton\r\nbased on Richard Schacht’s alienation. Modernization has influenced the trait of\r\nmodern man because the rapid changes in the stage of society, directly its\r\nprocessess has shaped the typical personal towards society. With regard to George\r\nMilton, as a modern man, he envisages the material fulfilment. He really desires\r\nto be the master of everything.\r\nIn analyzing data, the writer applies a qualitative research. The data are\r\nanalyzed drawing on Richard Schacht’s theory of alienation (1970). Based on\r\nSchacht’s concept of alienation, he divides alienation into four classifications;\r\nalienation from others, alienation from work, alienation from event-structure, and\r\nalienation from culture-society. By using this theory, this paper examines the\r\nrelation of modernization towards the emergence of George’s alienation.\r\nThe research findings indicate that George Milton, the main character in\r\nSteinbeck’s Of Mice and Men, perfectly portrays the concept of Schacht’s\r\nalienation. Modernization has a meaningful relationship to the emergence of\r\nGeorge Milton’s alienation. Because of the rapidly processess of modernization, it\r\ncontributes to the straight work environment’s authority, the self, and the context.\r\nThe work environment’s authority involves the occupational streesses in the\r\nworkplace including the presence of inflexible and strict rules, the repetitive\r\ncharacteristics of job and the contractual system in the ranch. In the sphere of the\r\ncontext, George’s alienation is emerged by the impact of the oppressive system in\r\nthe workplace, the fault of Depression time and the dominating power. Then,\r\nGeorge’s alienation towards the self is emerged because he is full of exaggerated\r\ndelusions for gaining the more expectancy of life. While, George’s features of\r\nalienation involve the alienation from work, alienation from others, alienation\r\nfrom event-structure, and alienation from culture-society. Moreover, the\r\nmodernization has the meaningful significance to the emergence of George’s\r\nalienation in Steinbeck’s Of Mice and Men.\r\n\r\n"^^ . "2014-01-23" . . . . "UIN SUNAN KALIJAGA"^^ . . . "FAKULTAS ADAB DAN ILMU BUDAYA, UIN SUNAN KALIJAGA"^^ . . . . . . . . . " NIM. 09150049"^^ . "RARA NOVITA"^^ . " NIM. 09150049 RARA NOVITA"^^ . . . . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Text)"^^ . . . "BAB I, IV, DAFTAR PUSTAKA.pdf"^^ . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Text)"^^ . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Other)"^^ . . . . . . "lightbox.jpg"^^ . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Other)"^^ . . . . . . "preview.jpg"^^ . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Other)"^^ . . . . . . "medium.jpg"^^ . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Other)"^^ . . . . . . "small.jpg"^^ . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Other)"^^ . . . . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Other)"^^ . . . . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Other)"^^ . . . . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Other)"^^ . . . . . . "ALIENATION OF MODERN MAN\r\nIN JOHN STEINBECK’S OF MICE AND MEN\r\n\r\n (Other)"^^ . . . . . "HTML Summary of #11491 \n\nALIENATION OF MODERN MAN \nIN JOHN STEINBECK’S OF MICE AND MEN \n \n\n\n" . "text/html" . . . "Sastra Inggris" . .