TY  - THES
N1  - Dwi Margo Yuwono, M. Hum.
ID  - digilib16506
UR  - https://digilib.uin-suka.ac.id/id/eprint/16506/
A1  - MAHFUT KHANAFI, NIM. 10150045
Y1  - 2015/05/19/
N2  - The Revolutionary Theatre (1965) is an essay of an African-American man named
Amiri Baraka. This essay is an interested essay because this essay was rejected by
the New York Times and The Village Voice in United States. The reason of
rejection is the editor cannot understand the contents of the essay. Although this
essay was not published by the famous newspaper, but in the end, this essay was
published in Black Dialogue, a special newspaper of the African-American.
Therefore, black American?s racism, discrimination and the using of words is then
become the backgound of this research. The purpose of this research is to
understand the meaning and the content in the essay. Hence, the author uses the
theory of hermeneutics of Hans Georg Gadamer to analyze this research. This
theory consists of four stages, they are Historically effected consciousness, Preunderstanding,
Fusion of Horizon and hermeneuticsal circle, and Application.
This is a qualitative research with an objective criticism as a method of analysis.
This analysis explains the first phase of which to parse back the effects of
historical consciousness and pre-understanding of an interpreter into the author
and text. After the first phase passed then an interpreter analyzes the scope that
exists around the text and the author. The last, an interpreter analyzes directly the
essay of Revolutionary Theatre. This process is important because to get a true
understanding an interpreter must go through four stages. According to Gadamer
these stages then bring an interpreter to get an understanding on the level of
meaningful sense.
PB  - UIN SUNAN KALIJAGA YOGYAKARTA
KW  - Keywords: African-American men
KW  -  Essay
KW  -  Hermeneutics
KW  -  Text
KW  -  Understanding.
M1  - skripsi
TI  - THE HERMENEUTICS ANALYSIS OF AMIRI BARAKA`S ESSAY
THE REVOLUTIONARY THEATRE
AV  - restricted
ER  -