@article{digilib22577,
          volume = {Vol.8},
          number = {No. 1},
           month = {June},
          author = {Achmad Atho`illah},
           title = {N{\=A}ZIK AL-MAL{\=A}`IKAH: SEPINTAS BIOGRAFI DAN PEMIKIRANNYA TENTANG PUISI BEBAS (Studi Tokoh Sastra Arab)},
       publisher = {Fakultas Adab dan Ilmu Budaya UIN Sunan Kalijaga},
            year = {2009},
         journal = {ADABIYYAT},
           pages = {95--110},
        keywords = {N{\=a}zik al-Mal{\=a}`ikah; puisi bebas; sastra Arab},
             url = {https://digilib.uin-suka.ac.id/id/eprint/22577/},
        abstract = {This article aims to provide a short biography of Iraqi Arab
poet, N{\=a}zik al-Mal{\=a}`ikah, and her thoughts about free verse
(al-syi?r al-h\}urr). In this paper, the writer applies her
personal life history. The results of this article show that
N{\=a}zik is a popular figure in modern Arabic literature. She
occupies a prominent position not only because of her
innovative experimental poetry, but also because of her
critical theories. Since the publication of her first collection,
?{\=A}syiqah al-Lail (1947),{--}which contains one of her best
known works entitled K{\=u}l{\=i}ra{--}she has contributed toward
transforming Arabic poetry in terms of its orientation and
structure. This is reflected equally in her works and in her
critical theorization of the new poetic form known as free
verse (al-syi?r al-h\}urr). In 1949, she published her second
volume of poems, Syaz{$\backslash$}{\=a}y{\=a} wa Ram{\=a}d, and prefaced it with
a theory of new poetry metrics. N{\=a}zik defines free verse (alsyi?r
al-h\}urr) as any poetry that departs from the twohemistich
line system and that employs the taf'ilah ?foot?.
And, the basic of the taf'ilah poetry is the unity of metrical
foot. In her theory of new poetry metrics, she recommended
two kinds of meters. They are pure meters (al-buh\}{\=u}r als\}
{\=a}fiyah) and mixed meters (al-buh\}{\=u}r al-mamz{\=u}jah).
Kata kunci: N{\=a}zik al-Mal{\=a}`ikah; puisi bebas; sastra Arab.}
}