%A NIM.: 20201011015 Mohammad Badrus Sholih
%O Pembimbing: Dr. Witriani, M. Hum.
%T PEREMPUAN DAN POLITIK EKSPRESI NAJIB AL-KAILANI
DALAM NOVEL ‘AZRA’ JAKARTA
%X 'Politics of literature' is not like 'politics of the author' which explains the
projection of the author to see his political movement. But how literature becomes
itself to interrupt the sosial order that perpetuates power. The researcher found
Najīb al-Kailānī 's emancipation movement in his novel ‘Ażrā’ Jākartā' which
transcends all forms of identity to place the 'part of no part' subjects again. In this
discourse, Najīb al-Kailānī will discuss the politics of expression regarding the
emancipation movement in his novel by shaking the police order as a literary ethic
regime that always places women, and communism/counter-communism
movements in a single space, role and time, so that ‘demos’ do not again heard.
The research method used in this study is a qualitative descriptive research
method with historical, critical, and hermeneutics reading. This reading is
attempted to find the author's external historical movement that inspired the novel
‘Ażrā’ Jākartā', to criticize it carefully, and to find the meaning behind the sentence
written by the author. The theory that seeks to answer the fundamental problem in
this research uses the postmarxist sociological approach of Jacques Ranciere to find
a cultural space that negates subjects to be heard, redistribution of 'reasonable', and
the creation of a 'common space' which the author assumes to bring together
‘police’ and 'politics' in a 'dissensus' space.
The negation of women and ideological movements in the novel is born in
the cultural space as the standard for telling artistic works of art. Najīb's politics of
expression does not only question the events of political conflict in Indonesia such
as the setting in the novel, but also the projection of a universal cultural space in
which women and ideological movements negate one another. The novel ‘Ażrā’
Jākartā' projects the redistribution of each subject and regenerates the subject of
politics which is completely new both in the role, space and time that surrounds it.
Najīb al-Kailānī was declared successful in creating 'the political' by making his
novels 'political' and 'aesthetic' to interrupt the practice of ‘police’ power, put the
subject back in the section, and regenerate a new political subject.
%K Azra Jakarta, Politik Ekspresi, Najīb al-Kailanī, Polis, Ruang
Bersama, Distribusi Yang Masuk Akal, Subjek Politik
%D 2022
%I UIN SUNAN KALIJAGA YOGYAKARTA
%L digilib52823