<> <http://www.w3.org/2000/01/rdf-schema#comment> "The repository administrator has not yet configured an RDF license."^^<http://www.w3.org/2001/XMLSchema#string> .
<> <http://xmlns.com/foaf/0.1/primaryTopic> <http://digilib.uin-suka.ac.id/id/eprint/55645> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://purl.org/ontology/bibo/Thesis> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://purl.org/ontology/bibo/Article> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/dc/terms/title> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/ontology/bibo/abstract> "Korean drama series has become a popular show which preferred by\r\nalmost all people around the world. Not only entertaining, Korean drama series\r\nalso contain moral values that can be applied in daily life, one of them is ikhtiar.\r\nThis research is a qualitative research by using semiotics analysis by\r\nRoland Barthes to reveal the representation of ikhtiar in Korean drama series\r\n“Start-Up” that analysized by the researcher by using the theory of representation\r\nby Stuart Hall in some episode that been determined.\r\nThe result from this research shows that in there is a representation of\r\nikhtiar in Korean drama series “Start-Up”, which is hard working and optimism,\r\nalso never give up with the indicator never give up in any situation, revive, and\r\nstay sTabel."^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/dc/terms/date> "2022-12-15" .
<http://digilib.uin-suka.ac.id/id/document/827947> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://purl.org/ontology/bibo/Document> .
<http://digilib.uin-suka.ac.id/id/document/827949> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://purl.org/ontology/bibo/Document> .
<http://digilib.uin-suka.ac.id/id/org/ext-1ea96a2503a70ef7fcbae7670153192b> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://xmlns.com/foaf/0.1/Organization> .
<http://digilib.uin-suka.ac.id/id/org/ext-1ea96a2503a70ef7fcbae7670153192b> <http://xmlns.com/foaf/0.1/name> "UIN SUNAN KALIJAGA YOGYAKARTA"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/dc/terms/issuer> <http://digilib.uin-suka.ac.id/id/org/ext-1ea96a2503a70ef7fcbae7670153192b> .
<http://digilib.uin-suka.ac.id/id/org/ext-3e4f0bd8a3e02a71bcb86acf24c0eb4d> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://xmlns.com/foaf/0.1/Organization> .
<http://digilib.uin-suka.ac.id/id/org/ext-3e4f0bd8a3e02a71bcb86acf24c0eb4d> <http://xmlns.com/foaf/0.1/name> "FAKULTAS DAKWAH DAN KOMUNIKASI, UIN SUNAN KALIJAGA YOGYAKARTA"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/org/ext-3e4f0bd8a3e02a71bcb86acf24c0eb4d> <http://purl.org/dc/terms/isPartOf> <http://digilib.uin-suka.ac.id/id/org/ext-1ea96a2503a70ef7fcbae7670153192b> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/dc/terms/issuer> <http://digilib.uin-suka.ac.id/id/org/ext-3e4f0bd8a3e02a71bcb86acf24c0eb4d> .
<http://digilib.uin-suka.ac.id/id/org/ext-1ea96a2503a70ef7fcbae7670153192b> <http://purl.org/dc/terms/hasPart> <http://digilib.uin-suka.ac.id/id/org/ext-3e4f0bd8a3e02a71bcb86acf24c0eb4d> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/ontology/bibo/status> <http://purl.org/ontology/bibo/status/published> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/dc/terms/creator> <http://digilib.uin-suka.ac.id/id/person/ext-97eccbb5807b1c5b8fbc374d248f7957> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/ontology/bibo/authorList> <http://digilib.uin-suka.ac.id/id/eprint/55645#authors> .
<http://digilib.uin-suka.ac.id/id/eprint/55645#authors> <http://www.w3.org/1999/02/22-rdf-syntax-ns#_1> <http://digilib.uin-suka.ac.id/id/person/ext-97eccbb5807b1c5b8fbc374d248f7957> .
<http://digilib.uin-suka.ac.id/id/person/ext-97eccbb5807b1c5b8fbc374d248f7957> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://xmlns.com/foaf/0.1/Person> .
<http://digilib.uin-suka.ac.id/id/person/ext-97eccbb5807b1c5b8fbc374d248f7957> <http://xmlns.com/foaf/0.1/givenName> "NIM.: 17102010024"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/person/ext-97eccbb5807b1c5b8fbc374d248f7957> <http://xmlns.com/foaf/0.1/familyName> "Salsabila Syadza Az-Zahra"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/person/ext-97eccbb5807b1c5b8fbc374d248f7957> <http://xmlns.com/foaf/0.1/name> "NIM.: 17102010024 Salsabila Syadza Az-Zahra"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/EPrint> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/ThesisEPrint> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/dc/terms/isPartOf> <http://digilib.uin-suka.ac.id/id/repository> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/827947> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/827947> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Text)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/dc/elements/1.1/hasVersion> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasPublished> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/827947> <http://eprints.org/ontology/hasFile> <https://digilib.uin-suka.ac.id/id/eprint/55645/1/17102010024_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf> .
<http://digilib.uin-suka.ac.id/id/document/827947> <http://purl.org/dc/terms/hasPart> <https://digilib.uin-suka.ac.id/id/eprint/55645/1/17102010024_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf> .
<https://digilib.uin-suka.ac.id/id/eprint/55645/1/17102010024_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf> <http://www.w3.org/2000/01/rdf-schema#label> "17102010024_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/827949> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/827949> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Text)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/dc/elements/1.1/hasVersion> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasPublished> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/871730> .
<http://digilib.uin-suka.ac.id/id/document/871730> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/871730> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/document/871730> <http://eprints.org/relation/isVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/871730> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/871730> <http://eprints.org/relation/islightboxThumbnailVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/871731> .
<http://digilib.uin-suka.ac.id/id/document/871731> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/871731> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/document/871731> <http://eprints.org/relation/isVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/871731> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/871731> <http://eprints.org/relation/ispreviewThumbnailVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/871732> .
<http://digilib.uin-suka.ac.id/id/document/871732> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/871732> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/document/871732> <http://eprints.org/relation/isVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/871732> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/871732> <http://eprints.org/relation/ismediumThumbnailVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/871733> .
<http://digilib.uin-suka.ac.id/id/document/871733> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/871733> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/document/871733> <http://eprints.org/relation/isVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/871733> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/871733> <http://eprints.org/relation/issmallThumbnailVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/871734> .
<http://digilib.uin-suka.ac.id/id/document/871734> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/871734> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/document/871734> <http://eprints.org/relation/isVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871734> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871734> <http://eprints.org/relation/isIndexCodesVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871734> <http://eprints.org/ontology/hasFile> <https://digilib.uin-suka.ac.id/id/eprint/55645/7/indexcodes.txt> .
<http://digilib.uin-suka.ac.id/id/document/871734> <http://purl.org/dc/terms/hasPart> <https://digilib.uin-suka.ac.id/id/eprint/55645/7/indexcodes.txt> .
<https://digilib.uin-suka.ac.id/id/eprint/55645/7/indexcodes.txt> <http://www.w3.org/2000/01/rdf-schema#label> "indexcodes.txt"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/871735> .
<http://digilib.uin-suka.ac.id/id/document/871735> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/871735> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/document/871735> <http://eprints.org/relation/isVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/871735> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/document/871735> <http://eprints.org/relation/isIndexCodesVersionOf> <http://digilib.uin-suka.ac.id/id/document/827949> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/871740> .
<http://digilib.uin-suka.ac.id/id/document/871740> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/871740> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/document/871740> <http://eprints.org/relation/isVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871740> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871740> <http://eprints.org/relation/islightboxThumbnailVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871740> <http://eprints.org/ontology/hasFile> <https://digilib.uin-suka.ac.id/id/eprint/55645/9/lightbox.jpg> .
<http://digilib.uin-suka.ac.id/id/document/871740> <http://purl.org/dc/terms/hasPart> <https://digilib.uin-suka.ac.id/id/eprint/55645/9/lightbox.jpg> .
<https://digilib.uin-suka.ac.id/id/eprint/55645/9/lightbox.jpg> <http://www.w3.org/2000/01/rdf-schema#label> "lightbox.jpg"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/871741> .
<http://digilib.uin-suka.ac.id/id/document/871741> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/871741> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/document/871741> <http://eprints.org/relation/isVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871741> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871741> <http://eprints.org/relation/ispreviewThumbnailVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871741> <http://eprints.org/ontology/hasFile> <https://digilib.uin-suka.ac.id/id/eprint/55645/10/preview.jpg> .
<http://digilib.uin-suka.ac.id/id/document/871741> <http://purl.org/dc/terms/hasPart> <https://digilib.uin-suka.ac.id/id/eprint/55645/10/preview.jpg> .
<https://digilib.uin-suka.ac.id/id/eprint/55645/10/preview.jpg> <http://www.w3.org/2000/01/rdf-schema#label> "preview.jpg"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/871742> .
<http://digilib.uin-suka.ac.id/id/document/871742> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/871742> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/document/871742> <http://eprints.org/relation/isVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871742> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871742> <http://eprints.org/relation/ismediumThumbnailVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871742> <http://eprints.org/ontology/hasFile> <https://digilib.uin-suka.ac.id/id/eprint/55645/11/medium.jpg> .
<http://digilib.uin-suka.ac.id/id/document/871742> <http://purl.org/dc/terms/hasPart> <https://digilib.uin-suka.ac.id/id/eprint/55645/11/medium.jpg> .
<https://digilib.uin-suka.ac.id/id/eprint/55645/11/medium.jpg> <http://www.w3.org/2000/01/rdf-schema#label> "medium.jpg"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://eprints.org/ontology/hasDocument> <http://digilib.uin-suka.ac.id/id/document/871743> .
<http://digilib.uin-suka.ac.id/id/document/871743> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.uin-suka.ac.id/id/document/871743> <http://www.w3.org/2000/01/rdf-schema#label> "REPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/document/871743> <http://eprints.org/relation/isVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871743> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871743> <http://eprints.org/relation/issmallThumbnailVersionOf> <http://digilib.uin-suka.ac.id/id/document/827947> .
<http://digilib.uin-suka.ac.id/id/document/871743> <http://eprints.org/ontology/hasFile> <https://digilib.uin-suka.ac.id/id/eprint/55645/12/small.jpg> .
<http://digilib.uin-suka.ac.id/id/document/871743> <http://purl.org/dc/terms/hasPart> <https://digilib.uin-suka.ac.id/id/eprint/55645/12/small.jpg> .
<https://digilib.uin-suka.ac.id/id/eprint/55645/12/small.jpg> <http://www.w3.org/2000/01/rdf-schema#label> "small.jpg"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://www.w3.org/2000/01/rdf-schema#seeAlso> <https://digilib.uin-suka.ac.id/id/eprint/55645/> .
<https://digilib.uin-suka.ac.id/id/eprint/55645/> <http://purl.org/dc/elements/1.1/title> "HTML Summary of #55645 \n\nREPRESENTASI SIKAP IKHTIAR DALAM SERIAL DRAMA KOREA “START-UP” (ANALISIS SEMIOTIKA ROLAND BARTHES)\n\n" .
<https://digilib.uin-suka.ac.id/id/eprint/55645/> <http://purl.org/dc/elements/1.1/format> "text/html" .
<https://digilib.uin-suka.ac.id/id/eprint/55645/> <http://xmlns.com/foaf/0.1/primaryTopic> <http://digilib.uin-suka.ac.id/id/eprint/55645> .
<http://digilib.uin-suka.ac.id/id/subject/Film> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://www.w3.org/2004/02/skos/core#Concept> .
<http://digilib.uin-suka.ac.id/id/subject/Film> <http://www.w3.org/2004/02/skos/core#prefLabel> "Film" .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/dc/terms/subject> <http://digilib.uin-suka.ac.id/id/subject/Film> .
<http://digilib.uin-suka.ac.id/id/subject/kom_bud> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://www.w3.org/2004/02/skos/core#Concept> .
<http://digilib.uin-suka.ac.id/id/subject/kom_bud> <http://www.w3.org/2004/02/skos/core#prefLabel> "Komunikasi Budaya" .
<http://digilib.uin-suka.ac.id/id/eprint/55645> <http://purl.org/dc/terms/subject> <http://digilib.uin-suka.ac.id/id/subject/kom_bud> .