@mastersthesis{digilib67768,
           month = {August},
           title = {PARADIGMA PERLAWANAN SOSIAL KOLEKTIF PUNK SPEKTAKEL KLAB PALEMBANG},
          school = {UIN SUNAN KALIJAGA YOGYAKARTA},
          author = {NIM.: 22205011025 Ardinal Wahyu Pamungkas},
            year = {2024},
            note = {Pembimbing: Dr. Mutiullah, S.Fil.I., M.Hum},
        keywords = {Pemikiran Gramsci, Perlawanan Sosial, Kolektif Punk Spektakel},
             url = {https://digilib.uin-suka.ac.id/id/eprint/67768/},
        abstract = {The existence of Kolektif Punk Spektakel Klab Palembang has always been
consider ed a social parasite by the majority of Palembang society. For them, what
the Kolektif Punk Spektakel Klab believes and lives is deviant behavior. Whereas
the Kolektif Punk Spektakel Klab actually campaigns for an ethos of
independence or better known as D o it Yourself (DIY) which encourages humans
to behave on the basis of freedom, simplicity, and the courage to express their
own will in any case. This other side is not seen by the public, that Punk is a place
for a kind of effort to break the hegemony or social resistance to the main culture.
The researcher's presumption is that the Kolektif Punk Spektakel Klab has certain
aims and objectives or big ideas. Therefore, this research tries to describe things
related to the Kolektif Punk Spektakel Klab, namely how their thoughts are
written into ideology and how the movements they carry out.
This research is a
qualitative research, which is a research conducted to
understand the reality of a context by describing in detail and in depth about the
actual reality in the field of study. Looking at the field of study which is the
Kolektif Punk Spektakel Klab Palembang, this research falls into the category of
field research, whose main data is obtained from the Spektakel Klab management
as the ?main actors? in addit ion to being supported by some literature data that
will maximize this research. The data that researchers find is then analyzed using
the Hegemony theory initiated by Antonio Gramsci. In this case, the author will
examine how the ideological formation and the forms or products of the
movement presented by the Kolektif Punk Spektakel Klab in an effort to carry out
social resistance to the main culture of Palembang society.
The findings of this research are, first, the Palembang Punk Collective Spektakel
Kla b has an ideological paradigm of social resistance or counter hegemony,
namely independence or Do it With Your Friend (DIWYF) in which there are
ideas of anti establishment, equality (egalitarianism), freedom and anarchism, and
counter culture. Second, the y propagate these five ideologies in movements that
are divided into three main areas, namely gigs, labels, and journals and two other
areas, namely solidarity activation and social media.}
}