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THE PORTRAYAL OF FATIMA’S DESIRE FOR FREEDOM IN BECOMING BURLESQUE (2017)
This research examines the response of Fatima, who tries to get out of the patriarchal family system, which is regarded as conservative. However, when Fatima chooses to join burlesque, it creates a more complicated situation; namely, her body becomes objectified. Therefore, the choice of being able to control her own body gives Fatima a lack of freedom; namely, the male gaze controls Fatima’s body. This research applied care-focused feminism by Carol Gilligan to analyze Fatima’s struggle because Gilligan proposes three stages: pre-conventional, conventional, and post-conventional. The care-focused feminism analysis model can reveal how Fatima’s search for freedom led her to act as a feminist. The researcher used the descriptive qualitative method to analyze the data. The method concentrates on description and interpretation. Based on the study, the researcher discovered that Fatima’s process of seeking freedom was not always true because choosing something that is considered free does not always conform to social norms in society. Therefore, the pre-conventional stage portrays Fatima’s experiences, focusing on individual needs and desires. The conventional stage involves experiencing a dilemma conflict between societal expectations and Fatima’s desires. The post-conventional stage prioritizes Fatima’s desire for ethical decisions based on her choices toward other people. As a result, after examining the film Becoming Burlesque using care-focused feminism analysis, it was found that when Fatima decides to break away from her patriarchal family, namely join burlesque. However, when Fatima decides to join burlesque, she actually enters another scope of patriarchy, namely the control of the male gaze in the social space.
FAKULTAS ADAB DAN ILMU BUDAYA, UIN SUNAN KALIJAGA YOGYAKARTA
NIM.: 19101050068 Fiihinna Adisty Rachma Nur Sol
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