eprintid: 69032
rev_number: 10
eprint_status: archive
userid: 12460
dir: disk0/00/06/90/32
datestamp: 2024-12-31 06:33:00
lastmod: 2024-12-31 06:33:00
status_changed: 2024-12-31 06:33:00
type: thesis
metadata_visibility: show
contact_email: muh.khabib@uin-suka.ac.id
creators_name: A Nawawi Alfan Afifi, NIM.: 21201012002
title: TEKS HIZIB NAWAWI KARYA SYEKH MUHYIDDIN AL-NAWAWI (KAJIAN STILISTIKA)
ispublished: pub
subjects: 492.7
divisions: bsa_s2
full_text_status: restricted
keywords: Doa, Stilistika, Hizib Nawawi
note: Pembimbing: Dr. H. Akhmad Patah, M.Ag.
abstract: Prayer is a ritual request that humans make to God, even before knowing God
and religion. In the beginning, the existence of prayer began as a form of requesting
protection against something that was the most powerful of all things that endanger
humans. In Islam, prayer has various types according to the source taken. One of the
works that functions for prayer is hizib. One type of hizib known is Hizib Nawawi
which was created by Sheikh Muhyiddin al-Nawawi. If we look at its benefits, this
Hizib contains language styles that are implied in its language style or Uslub. In this
case, Hizib is a type of uslub prayer, which uses the choice of words of request or
request (tholab al-syai'). Departing from the explanation above, researchers will
examine Hizib Nawawi using Stylistics, as Hizib contains elements of language style
and the effects of meaning in it.
This research is literature research or text study, so this research activity is
focused on studying things that are related to the discussion to be researched. The
data used in this research is Hizib Nawawi. Data analysis was carried out using
interactive analysis techniques which included data reduction, data presentation and
drawing conclusions.
The results of the research show that in terms of stylistic elements at the
phonological level, there are unique characteristics found in Hizib Nawawi, ṣawāmit
munharifah (lateral consonant), ṣawāmit anfiyah (nasal), ṣawāmit infijāriyyah
(plosive), ṣawāmit ihtikākiyah (fricative), ṣawāmit mukarrarah (vibrating) and
dominance consonants mahjur, al-waqfāt/Pauses, al-tangīm/intonation, nabr/stressaccent
and tikrār. At the morphological level, we found the use of ism tafḍīl, the use
of the ṣifat musyabihah bi ism fā'il, the use of ṣīgah fi'il muḍāri' which functions as
prayer, the use of fi'il amr which functions as prayer and the transfer of word forms
within one root word. At the syntactic level, there are tikrār, taqdīm wa takhīr, the
use of iẑā syarṭiyah and several meanings of the letter jār. At the semantic level, altaraduf
(synonym) al-diḍḍu (antonym) is found. Meanwhile, at the imagery level, the
language styles of majāz, jinās and sajak. Meanwhile, the effect of meaning is also
contained in aspects of morphology, syntax and the use of iqtibās, all of which are
related to prayer.
date: 2023-11-29
date_type: published
pages: 189
institution: UIN SUNAN KALIJAGA YOGYAKARTA
department: FAKULTAS ADAB DAN ILMU BUDAYA
thesis_type: masters
thesis_name: other
citation:   A Nawawi Alfan Afifi, NIM.: 21201012002  (2023) TEKS HIZIB NAWAWI KARYA SYEKH MUHYIDDIN AL-NAWAWI (KAJIAN STILISTIKA).  Masters thesis, UIN SUNAN KALIJAGA YOGYAKARTA.   
document_url: https://digilib.uin-suka.ac.id/id/eprint/69032/1/21201012002_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf
document_url: https://digilib.uin-suka.ac.id/id/eprint/69032/2/21201012002_BAB-II_sampai_SEBELUM-BAB-TERAKHIR.pdf