TY  - THES
N1  - Nitra Galih Imansari, M.Sos.
ID  - digilib74710
UR  - https://digilib.uin-suka.ac.id/id/eprint/74710/
A1  - Muhammmad Hafiz Azani, NIM.: 21102010042
Y1  - 2025/12/10/
N2  - This study discusses the phenomenon of desacralization of Islamic religious rituals as represented in the trailer for the horror film Kiblat (2024). This horror film, which raises religious themes, has sparked controversy and concern because its depiction of rituals is not in accordance with their sacredness, potentially damaging spiritual values and triggering anxiety. This study aims to reveal the mechanisms of desacralization representation using descriptive qualitative methods and Roland Barthes' Semiotic Analysis in five key scenes in the trailer. The results show that the trailer systematically constructs misleading new meanings, forming three main ideological myths. These myths include a shaky foundation of faith, constructed through a changing qibla direction and the disappearance of the call to prayer, which directly violates the requirements for valid prayer. Second, the myth that worship is a gateway to terror is formed, demonstrated through hysterical and possessed prayer movements, fundamentally attacking the pillars of prayer and eliminating the function of thuma'ninah (tranquility). Finally, there is the myth of the dominance of profane forces, which is constructed through the appearance of demons during worship, ideologically attacking the concept of the call to prayer and prayer as a code for exorcising demons. Overall, the trailer for the 2024 film Kiblat successfully desacralizes rituals, transforming sacred symbols into symbols of vulnerability, and eliminating theological security in the face of cinematic terror.
PB  - UIN SUNAN KALIJAGA YOGYAKARTA
KW  - Desakralisasi
KW  -  Ritual Agama Islam
KW  -  Trailer Film
KW  -  Semiotika Roland Barthes
M1  - skripsi
TI  - DESAKRALISASI RITUAL AGAMA ISLAM DALAM TRAILER FILM KIBLAT 2024
AV  - restricted
EP  - 102
ER  -