<mods:mods version="3.3" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mods:titleInfo><mods:title>PERMAINAN BAHASA DALAM QISSAT AL-GHURBA AL-GHARBIYYAH KARYA SUHRAWARDI: ANALISIS FILSAFAT BAHASA WITTGENSTEIN</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">NIM.: 22105010018</mods:namePart><mods:namePart type="family">Muhammad Muchlis</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>This research stems from an academic gap in the study of Suhrawardi's&#13;
thought, where his allegorical texts have been primarily studied from the perspective&#13;
of the metaphysical doctrine of light, while the linguistic dimension as a&#13;
philosophical practice has not been systematically analyzed. Shihab al-Din Yahya&#13;
Suhrawardi's Qissat al-Ghurbah al-Gharbiyyah is the focus of this study as a&#13;
representation of the distinctive use of allegorical language in the Islamic tradition of&#13;
illumination philosophy.&#13;
This research poses two research questions: (1) What are the forms and&#13;
characteristics of Suhrawardi's language play in Qissat al-Ghurbah al-Gharbiyyah?&#13;
(2) How can Wittgenstein's concept of language play explain how language functions&#13;
in the text as a philosophical practice? The aim of this research is to describe the&#13;
structure of the language play in the text and analyze it through the framework of&#13;
Ludwig Wittgenstein's philosophy of language. This research uses a qualitativelibrary&#13;
research approach. The primary sources are the text Qissat al-Ghurbah al-&#13;
Gharbiyyah and Wittgenstein's works, particularly Philosophical Investigations. The&#13;
analysis was conducted in three stages: textual analysis, conceptual analysis based on&#13;
Wittgenstein's language game theory, and contextual analysis within the horizon of&#13;
Islamic philosophy.&#13;
The results show that meaning in Suhrawardi's text is formed through the&#13;
mechanisms of language use in narrative contexts. Key concepts such as al-gharb, almasyriq,&#13;
and al-nūr operate within three linguistic game fields that represent stages&#13;
of the existential journey: alienation, orientation toward the source of light, and&#13;
illuminative transformation. The meanings of these terms are dynamic, shaped by&#13;
their use within the network of sentences and the context of illuminative life (forms&#13;
of life).</mods:abstract><mods:classification authority="lcc">100 Filsafat</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2026-03-02</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>UIN SUNAN KALIJAGA YOGYAKARTA;FAKULTAS USHULUDDIN DAN PEMIKIRAN ISLAM</mods:publisher></mods:originInfo><mods:genre>Thesis</mods:genre></mods:mods>