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        <dc:title>REINTERPRETASI PERANG ENAM HARI 1967 DALAM PUISI “HAWAMISY ‘ALA DAFTAR AL-NAKSAH” KARYA NIZAR QABBANI: KAJIAN POETIKA BUDAYA STEPHEN GREENBLATT</dc:title>
        <dc:creator>Azhar Ilham Haliwungan, NIM.: 23201011015</dc:creator>
        <dc:subject>Puisi</dc:subject>
        <dc:description>This research examines the reinterpretation of the 1967 Six-&#13;
Day War in the poem “Hawāmisy ‘alā Daftar al-Naksah” by&#13;
Nizār Qabbānī through parallel readings with contemporary&#13;
literary and non-literary texts. The Six-Day War of 1967 was a&#13;
historical event that not only resulted in the military defeat of&#13;
Arab countries but also triggered social, political, and cultural&#13;
crises. Based on this issue, the study aims to understand&#13;
Qabbānī's authorship in this poem as a manifestation of his war&#13;
experience, an expression of his social and political critique,&#13;
and a reinterpretation of the war within contemporary literary&#13;
and non-literary texts. The research employs a qualitative&#13;
analysis with parallel reading based on Stephen Greenblatt’s&#13;
cultural poetics. This approach includes an analysis of&#13;
“Hawāmisy ‘alā Daftar al-Naksah” in relation to literary texts&#13;
such as the poetry of ‘Abd al-Wahhāb al-Bayātī and Aḥmad&#13;
‘Abd al-Mu‘tī Ḥijāzī, as well as the novels al-Karnak by Najīb&#13;
Maḥfūẓ and 67 by Ṣan‘ullāh Ibrāhīm. Additionally, the study&#13;
examines non-literary texts, including radio broadcasts,&#13;
newspaper articles, caricatures, and photographs. The findings&#13;
reveal that “Hawāmisy ‘alā Daftar al-Naksah” serves as a&#13;
concrete manifestation of Nizār Qabbānī’s authorship. His&#13;
poetic expression emerges as a product of the traumatic&#13;
experience of the Six-Day War, conveyed through a sharp&#13;
critique of authoritarianism, media deception, political&#13;
repression, and the loss of Arab identity following the defeat.&#13;
In this poem, Qabbānī exposes empty rhetoric and propaganda through biting satire. He mocks the bombastic language of&#13;
Arab leaders with the metaphor of "drums and rebabs,"&#13;
emphasizing that wars were waged with rhetorical flourishes&#13;
rather than military strategies. Qabbānī also underscores the&#13;
role of the media in shaping misleading perceptions,&#13;
positioning the poem as a critique of power structures that&#13;
manipulate public emotions while lacking genuine&#13;
preparedness. The poem’s reinterpretation of the Six-Day War,&#13;
when examined in parallel with contemporary texts,&#13;
demonstrates that the defeat was not limited to the battlefield&#13;
but also extended into discursive spaces dominated by&#13;
propaganda and political repression. Ultimately, “Hawāmisy&#13;
‘alā Daftar al-Naksah” functions as a critical documentation of&#13;
political, psychological, and military failures, fostering a new&#13;
awareness within Arab society.</dc:description>
        <dc:date>2025-03-06</dc:date>
        <dc:type>Thesis</dc:type>
        <dc:type>NonPeerReviewed</dc:type>
        <dc:format>text</dc:format>
        <dc:language>id</dc:language>
        <dc:identifier>https://digilib.uin-suka.ac.id/id/eprint/76020/1/23201011015_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf</dc:identifier>
        <dc:format>text</dc:format>
        <dc:language>id</dc:language>
        <dc:identifier>https://digilib.uin-suka.ac.id/id/eprint/76020/2/23201011015_BAB-II_sampai_SEBELUM-BAB-TERAKHIR.pdf</dc:identifier>
        <dc:identifier>  Azhar Ilham Haliwungan, NIM.: 23201011015  (2025) REINTERPRETASI PERANG ENAM HARI 1967 DALAM PUISI “HAWAMISY ‘ALA DAFTAR AL-NAKSAH” KARYA NIZAR QABBANI: KAJIAN POETIKA BUDAYA STEPHEN GREENBLATT.  Masters thesis, UIN SUNAN KALIJAGA YOGYAKARTA.   </dc:identifier></oai_dc:dc>
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