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bibo:abstract "This study aims to reveal how the narrative focus shifts in the representation of perpetrators of sexual violence from victims to perpetrators in Audrie & Daisy (2016) and Photocopier (2021) through discourse so, that the existence of the actual perpetrator does not become \"unmarked.\" This discourse has the effect of normalizing sexual act. Despite different backgrounds, such as socio-culture and educational levels in America and Indonesia, the perpetrators of both films should be investigated further with the assumption that first-world text differs from the third-world text of the discourse of women as subject and agency. Probing and comparing the construction of discourses of the perpetrators in the rape narrative within Stuart Hall's representation theory examines both films' narratives, sociocultural representation, and representation of perpetrators. This qualitative study identifies rape narrative through discourse in the constellation of gender relations between sexual perpetrators and victims or survivors in Audrie & Daisy and Photocopier. At the Indonesia end, the male perpetrator's privileges and status place him above the female survivor. Comparably, at American end, the unpunished perpetrator clasps a higher hierarchical position. Individual autonomy values that are upheld in American culture still place males in a hegemonic position, while Indonesian social embeddedness values, the narrative observably is strong in sacrificing women for group interests. Both texts highlight discourses that grant rapists narrative power and possibly also the un-condemnation or elicit sympathy from the reader."^^xsd:string;
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