<mets:mets OBJID="eprint_76503" LABEL="Eprints Item" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mets="http://www.loc.gov/METS/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mets:metsHdr CREATEDATE="2026-05-21T19:41:29Z"><mets:agent ROLE="CUSTODIAN" TYPE="ORGANIZATION"><mets:name>Institutional Repository UIN Sunan Kalijaga Yogyakarta</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="DMD_eprint_76503_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:titleInfo><mods:title>ANALISIS ELEMEN VISUAL POSTER KAJIAN DALAM AKUN INSTAGRAM @akhwatcreativeproject PERSPEKTIF SEMIOTIKA ROLAND BARTHES</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">NIM.: 21102010046</mods:namePart><mods:namePart type="family">Hairul Amin</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>This study aims to analyze the visual elements in study posters on the Instagram account @akhwatcreativeproject using Roland Barthes' semiotic approach and Stuart Hall's theory of representation. In the era of digital da'wah, social media plays an important role in conveying religious messages visually, especially to the younger generation. This study employs a descriptive qualitative method with Roland Barthes' semiotic analysis techniques (denotation, connotation, myth) applied to five study posters, using documentation as the data collection technique. The results indicate that at the denotative level, the posters clearly convey factual information about the theme, presenter, and time of the study. At the connotative level, visual elements such as butterflies, flowers, light, and keys symbolize self-transformation, spirituality, and purity, while the combination of dark and soft colors emphasizes the identity of Muslim women. At the mythical level, the posters construct ideological frameworks about religiosity, marriage, knowledge, and the journey of life from an Islamic perspective. Through Stuart Hall's representational framework, four main forms of representation were identified. Religious symbolism (replacing human figures with symbolic objects), Islamic femininity (use of colors and design styles characteristic of Muslim women), aesthetic digital da'wah (packaging messages according to visual communication design principles), and education and morality (emphasis on Islamic ethical values). In conclusion, the @akhwatcreativeproject study posters not only function as a medium of information but also as a space for representing Islamic values, identity, and visual culture in the digital age. This research contributes to the development of Islamic visual communication studies and can serve as a practical reference for digital da'wah creators.</mods:abstract><mods:classification authority="lcc">302.231 Media Digital</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2025-08-25</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>UIN SUNAN KALIJAGA YOGYAKARTA;FAKULTAS DAKWAH DAN KOMUNIKASI</mods:publisher></mods:originInfo><mods:genre>Thesis</mods:genre></mets:xmlData></mets:mdWrap></mets:dmdSec><mets:amdSec ID="TMD_eprint_76503"><mets:rightsMD ID="rights_eprint_76503_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:useAndReproduction>
<p xmlns="http://www.w3.org/1999/xhtml"><strong>For work being deposited by its own author:</strong> 
In self-archiving this collection of files and associated bibliographic 
metadata, I grant Institutional Repository UIN Sunan Kalijaga Yogyakarta the right to store 
them and to make them permanently available publicly for free on-line. 
I declare that this material is my own intellectual property and I 
understand that Institutional Repository UIN Sunan Kalijaga Yogyakarta does not assume any 
responsibility if there is any breach of copyright in distributing these 
files or metadata. (All authors are urged to prominently assert their 
copyright on the title page of their work.)</p>

<p xmlns="http://www.w3.org/1999/xhtml"><strong>For work being deposited by someone other than its 
author:</strong> I hereby declare that the collection of files and 
associated bibliographic metadata that I am archiving at 
Institutional Repository UIN Sunan Kalijaga Yogyakarta) is in the public domain. If this is 
not the case, I accept full responsibility for any breach of copyright 
that distributing these files or metadata may entail.</p>

<p xmlns="http://www.w3.org/1999/xhtml">Clicking on the deposit button indicates your agreement to these 
terms.</p>
    </mods:useAndReproduction></mets:xmlData></mets:mdWrap></mets:rightsMD></mets:amdSec><mets:fileSec><mets:fileGrp USE="reference"><mets:file ID="eprint_76503_1056518_1" SIZE="5861251" OWNERID="https://digilib.uin-suka.ac.id/id/eprint/76503/1/21102010046_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf" MIMETYPE="application/pdf"><mets:FLocat LOCTYPE="URL" xlink:type="simple" xlink:href="https://digilib.uin-suka.ac.id/id/eprint/76503/1/21102010046_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf"></mets:FLocat></mets:file></mets:fileGrp><mets:fileGrp USE="reference"><mets:file ID="eprint_76503_1056519_1" SIZE="3688344" OWNERID="https://digilib.uin-suka.ac.id/id/eprint/76503/2/21102010046_BAB-II_sampai_SEBELUM-BAB-TERAKHIR.pdf" MIMETYPE="application/pdf"><mets:FLocat LOCTYPE="URL" xlink:type="simple" xlink:href="https://digilib.uin-suka.ac.id/id/eprint/76503/2/21102010046_BAB-II_sampai_SEBELUM-BAB-TERAKHIR.pdf"></mets:FLocat></mets:file></mets:fileGrp></mets:fileSec><mets:structMap><mets:div DMDID="DMD_eprint_76503_mods" ADMID="TMD_eprint_76503"><mets:fptr FILEID="eprint_76503_document_1056518_1"></mets:fptr><mets:fptr FILEID="eprint_76503_document_1056519_1"></mets:fptr></mets:div></mets:structMap></mets:mets>