<mets:mets OBJID="eprint_76564" LABEL="Eprints Item" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mets="http://www.loc.gov/METS/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mets:metsHdr CREATEDATE="2026-06-12T01:42:26Z"><mets:agent ROLE="CUSTODIAN" TYPE="ORGANIZATION"><mets:name>Institutional Repository UIN Sunan Kalijaga Yogyakarta</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="DMD_eprint_76564_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:titleInfo><mods:title>KONSTRUKSI PERAN AYAH TERHADAP ANAK PEREMPUAN DALAM VIDEO TIKTOK @AHMADRISYAD PART 28</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">NIM.: 22102010030</mods:namePart><mods:namePart type="family">Ria Safitri</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>Indonesia has prompted critical inquiry into how paternal roles are constructed&#13;
in social media, particularly TikTok. This study aims to analyze the construction&#13;
of a father's role toward daughters in TikTok videos by @Ahmadrisyad Part 28,&#13;
employing a qualitative approach through Teun A. Van Dijk's Critical Discourse&#13;
Analysis (CDA) model encompassing three levels of analysis: text structure,&#13;
social cognition, and social context, supported by Lamb's concept of fatherhood&#13;
and Berger and Luckmann's theory of social construction. Data were collected&#13;
through documentation and non-participant observation of the videos and&#13;
comment sections, with source triangulation as the validation technique. The&#13;
findings reveal that the video positions the father as a protector, moral reference,&#13;
and primary standard by which daughters evaluate male figures, while&#13;
simultaneously functioning as a space for emotional identification among&#13;
fatherless audiences, albeit at the expense of marginalizing the roles of mothers&#13;
and the broader social environment. This study concludes that social media does&#13;
not merely serve as a space for entertainment, but actively shapes public&#13;
perception of gender roles within the family.</mods:abstract><mods:classification authority="lcc">302.231 Media Komunikasi, Media Massa, Media Sosial</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2026-05-18</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>UIN SUNAN KALIJAGA YOGYAKARTA;FAKULTAS DAKWAH DAN KOMUNIKASI</mods:publisher></mods:originInfo><mods:genre>Thesis</mods:genre></mets:xmlData></mets:mdWrap></mets:dmdSec><mets:amdSec ID="TMD_eprint_76564"><mets:rightsMD ID="rights_eprint_76564_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:useAndReproduction>
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