%0 Thesis
%9 Skripsi
%A Rafasyah Aulia Nareswari, NIM.: 22105020040
%B FAKULTAS USHULUDDIN DAN PEMIKIRAN ISLAM
%D 2026
%F digilib:77027
%I UIN SUNAN KALIJAGA YOGYAKARTA
%K Stereotip, Perempuan Berhijab, Film Merindu Cahaya de  Amstel
%P 119
%T RELASI TIMUR BARAT DALAM TANTANGAN STEREOTIP: KAJIAN TERHADAP FILM MERINDU CAHAYA DE AMSTEL
%U https://digilib.uin-suka.ac.id/id/eprint/77027/
%X This study analyzes the relationship between the East and the West in  addressing the issue of stereotypes in the film Merindu Cahaya de Amstel. This  film is of particular interest for analysis and research because it tells the story of  a Dutch woman who converts to Islam and begins wearing the hijab. Her  experience of wearing the hijab in a predominantly non-Muslim Western society  presents a unique religious experience. This phenomenon can open the door to a  critical examination of stereotypes that have long been entrenched and have been  constructed, shaped, maintained, and challenged in Western society. This study  will discuss the forms of stereotypes depicted in the film Merindu Cahaya de  Amstel and how the film challenges the stereotypes presented within it.  This study employs a qualitative methodology. The data consist of film  narratives, dialogue, and documentary footage. The data obtained were then  analyzed using the concepts of stereotypes, representations, and the process of  meaning-making. This study draws on Stuart Hall’s theory of stereotypical  representation, specifically the reflective and constructionist approaches, with a  particular focus on stereotypes.  The results of this study indicate that the film Merindu Cahaya de Amstel  not only serves as a form of entertainment and addresses stereotypes about  women who wear the hijab in the West, transforming perceptions of women who  wear the hijab. Initially, the hijab was viewed as a symbol of backwardness,  underdevelopment, and oppression, but this film seeks to reverse that perception.  The film portrays the hijab as an identity, a conscious choice, and a spiritual  symbol that empowers the main character. While Islam was often perceived as  closed-minded and irrational, the film instead depicts it as a path in the search for  the meaning of life. By utilizing Stuart Hall’s theory of representation, Max  Müller’s views on religious prejudice, and Entman’s framing theory, this study  demonstrates that film can serve as a medium to challenge and transform these  stereotypes, open up spaces for intercultural dialogue, and foster new  understanding between the East and the West.
%Z Dr. Ahmad Salehudin, S.Th.I., M.A.