<mets:mets OBJID="eprint_77027" LABEL="Eprints Item" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mets="http://www.loc.gov/METS/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mets:metsHdr CREATEDATE="2026-06-27T00:04:04Z"><mets:agent ROLE="CUSTODIAN" TYPE="ORGANIZATION"><mets:name>Institutional Repository UIN Sunan Kalijaga Yogyakarta</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="DMD_eprint_77027_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:titleInfo><mods:title>RELASI TIMUR BARAT DALAM TANTANGAN STEREOTIP: KAJIAN TERHADAP FILM MERINDU CAHAYA DE AMSTEL</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">NIM.: 22105020040</mods:namePart><mods:namePart type="family">Rafasyah Aulia Nareswari</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>This study analyzes the relationship between the East and the West in&#13;
addressing the issue of stereotypes in the film Merindu Cahaya de Amstel. This&#13;
film is of particular interest for analysis and research because it tells the story of&#13;
a Dutch woman who converts to Islam and begins wearing the hijab. Her&#13;
experience of wearing the hijab in a predominantly non-Muslim Western society&#13;
presents a unique religious experience. This phenomenon can open the door to a&#13;
critical examination of stereotypes that have long been entrenched and have been&#13;
constructed, shaped, maintained, and challenged in Western society. This study&#13;
will discuss the forms of stereotypes depicted in the film Merindu Cahaya de&#13;
Amstel and how the film challenges the stereotypes presented within it.&#13;
This study employs a qualitative methodology. The data consist of film&#13;
narratives, dialogue, and documentary footage. The data obtained were then&#13;
analyzed using the concepts of stereotypes, representations, and the process of&#13;
meaning-making. This study draws on Stuart Hall’s theory of stereotypical&#13;
representation, specifically the reflective and constructionist approaches, with a&#13;
particular focus on stereotypes.&#13;
The results of this study indicate that the film Merindu Cahaya de Amstel&#13;
not only serves as a form of entertainment and addresses stereotypes about&#13;
women who wear the hijab in the West, transforming perceptions of women who&#13;
wear the hijab. Initially, the hijab was viewed as a symbol of backwardness,&#13;
underdevelopment, and oppression, but this film seeks to reverse that perception.&#13;
The film portrays the hijab as an identity, a conscious choice, and a spiritual&#13;
symbol that empowers the main character. While Islam was often perceived as&#13;
closed-minded and irrational, the film instead depicts it as a path in the search for&#13;
the meaning of life. By utilizing Stuart Hall’s theory of representation, Max&#13;
Müller’s views on religious prejudice, and Entman’s framing theory, this study&#13;
demonstrates that film can serve as a medium to challenge and transform these&#13;
stereotypes, open up spaces for intercultural dialogue, and foster new&#13;
understanding between the East and the West.</mods:abstract><mods:classification authority="lcc">306.6 Sosiologi - Agama</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2026-05-26</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>UIN SUNAN KALIJAGA YOGYAKARTA;FAKULTAS USHULUDDIN DAN PEMIKIRAN ISLAM</mods:publisher></mods:originInfo><mods:genre>Thesis</mods:genre></mets:xmlData></mets:mdWrap></mets:dmdSec><mets:amdSec ID="TMD_eprint_77027"><mets:rightsMD ID="rights_eprint_77027_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:useAndReproduction>
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