<mets:mets OBJID="eprint_77793" LABEL="Eprints Item" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mets="http://www.loc.gov/METS/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mets:metsHdr CREATEDATE="2026-08-05T17:53:07Z"><mets:agent ROLE="CUSTODIAN" TYPE="ORGANIZATION"><mets:name>Institutional Repository UIN Sunan Kalijaga Yogyakarta</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="DMD_eprint_77793_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:titleInfo><mods:title>MEMBONGKAR MAKNA DAKWAH SOSIAL NONVERBAL SEBAGAI VISUALISASI PERLAWANAN KEMANUSIAAN DALAM AKSI KAMISAN YOGYAKARTA: STUDI ANALISIS SEMIOTIKA</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">NIM.: 24202011002</mods:namePart><mods:namePart type="family">Mela Arza Nopiani</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>Unresolved gross human rights violations in Indonesia have spawned various civil&#13;
society movements such as the Aksi Kamisan (Thursday Action) as a means of&#13;
demanding justice. Rather than relying on verbal communication, this movement&#13;
employs non-verbal symbols including silence, black clothing, black umbrellas, and&#13;
placards to convey its message to the public. These symbols serve not only as the&#13;
movement's identity but also embody values of social dakwah (advocacy/mission),&#13;
manifested through moral appeals, critiques of injustice, and the defense of&#13;
humanitarian values. This study aims to analyze the forms of non-verbal symbols&#13;
used in the Yogyakarta Aksi Kamisan and to uncover the meaning of this non-verbal&#13;
social advocacy as a visualization of humanitarian resistance. A qualitative&#13;
approach was employed, utilizing an interpretive paradigm and Charles Sanders&#13;
Peirce’s semiotic analysis method. Data were gathered through participant&#13;
observation, in-depth interviews with initiators, active participants, and members&#13;
of the public, as well as documentation of the Yogyakarta Aksi Kamisan events. The&#13;
semiotic analysis was conducted using Peirce’s triadic relationship comprising the&#13;
representamen, object, and interpretant. Furthermore, the analysis was deepened&#13;
through the application of George Herbert Mead’s Symbolic Interactionism, Max&#13;
Weber’s Social Action Theory, and Jürgen Habermas’s Public Sphere Theory.&#13;
Research findings indicate that nonverbal symbols in the Aksi Kamisan&#13;
(Thursday Action) construct a meaning of social dakwah (advocacy based on&#13;
religious values) through a process of collective interpretation. Based on a&#13;
Peircean semiotic analysis, silence is interpreted as moral criticism and peaceful&#13;
resistance against state impunity; black attire represents collective grief, solidarity,&#13;
and the struggle for justice; black umbrellas symbolize protection, moral&#13;
steadfastness, and consistency in the struggle; while posters serve as a medium for&#13;
raising public awareness, conveying messages of humanity and demands for the&#13;
resolution of human rights violation cases. These four symbols function as&#13;
nonverbal communication media that convey dakwah values through tangible&#13;
actions in the public sphere.&#13;
An analysis using George Herbert Mead’s theory of Symbolic&#13;
Interactionism reveals that the meaning of symbols is constructed through social&#13;
interaction between action participants and the public. These symbols are&#13;
understood through the process of the "mind," shape a collective identity (the&#13;
"self"), and gain social legitimacy within society. Max Weber’s perspective on&#13;
Social Action demonstrates that participation in the Aksi Kamisan (Thursday&#13;
Action) is dominated by value-rational action (wertrational), affective action&#13;
stemming from empathy for victims, and traditional action manifested through the&#13;
consistent holding of the event every Thursday to preserve collective memory.&#13;
Meanwhile, Jürgen Habermas’s theory of the Public Sphere shows that Aksi&#13;
Kamisan successfully utilizes public space specifically the Tugu Yogyakarta area&#13;
as an arena for civic communication to shape public opinion, peacefully convey&#13;
social criticism, and present a form of social dakwah (advocacy/mission) that&#13;
fosters collective awareness regarding the importance of justice, respect for human&#13;
rights, and humanitarian values.&#13;
This study concludes that Aksi Kamisan Yogyakarta constitutes a practice&#13;
of nonverbal social dakwah that employs visual symbols as a medium of&#13;
communication to uphold the principle of "enjoining good and forbidding evil"&#13;
(amar ma'ruf nahi munkar) through a peaceful humanitarian struggle. In this&#13;
context, dakwah is not realized through sermons or religious rhetoric, but rather&#13;
through symbolic actions that invite the public to cultivate moral awareness, strive&#13;
for justice, and reject impunity for human rights violations.</mods:abstract><mods:classification authority="lcc">297.6 Dakwah dan Penyiaran Islam</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2026-06-11</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>UIN SUNAN KALIJAGA YOGYAKARTA;FAKULTAS DAKWAH DAN KOMUNIKASI</mods:publisher></mods:originInfo><mods:genre>Thesis</mods:genre></mets:xmlData></mets:mdWrap></mets:dmdSec><mets:amdSec ID="TMD_eprint_77793"><mets:rightsMD ID="rights_eprint_77793_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:useAndReproduction>
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