<mods:mods version="3.3" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mods:titleInfo><mods:title>REPRESENTASI KOMUNITAS MUSLIMAH MODERN DALAM AKUN INSTAGRAM @WARDAHYOUTHAMBASSADOR</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">NIM.: 22102010048</mods:namePart><mods:namePart type="family">Fawwiz Ulinnuha Tasnim</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>This study examines the representation of the modern Muslim woman&#13;
community in the Instagram account @Wardahyouthambassador, viewing social&#13;
media as a space for the production of meaning and identity for Muslim women in&#13;
Indonesia through the construction of symbols of modernity and religiosity in its&#13;
visual and narrative content. Using a qualitative approach with Roland Barthes'&#13;
semiotic analysis method (denotation, connotation, myth) on ten posts from July to&#13;
December 2025, this study focuses on three indicators of modern Muslim women's&#13;
characteristics according to Pamungkas, namely Modesty and Sanctity, Sanctity&#13;
and Mobility, and Beauty and Modesty, which are linked to Stuart Hall's&#13;
Representation Theory through a constructionist approach. The results show that&#13;
all three categories appear simultaneously with differing degrees of dominance:&#13;
Modesty and Sanctity is present across all posts as the foundation of identity&#13;
through the consistent use of hijab and pastel-colored clothing, Sanctity and&#13;
Mobility is represented through educational activities, self-development, sports,&#13;
and social action that portray Muslim women as active in the public sphere without&#13;
relinquishing Islamic values, while Beauty and Modesty emerges as the most&#13;
dominant category, in which beauty is constructed as part of self-actualization&#13;
aligned with Islamic values, so that overall the account functions as a space for&#13;
meaning production that builds an image of the modern Muslim woman as one who&#13;
is able to combine religiosity, beauty, productivity, and social mobility&#13;
simultaneously.</mods:abstract><mods:classification authority="lcc">302.231 Media Komunikasi, Media Massa, Media Sosial</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2026-07-22</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>UIN SUNAN KALIJAGA YOGYAKARTA;FAKULTAS DAKWAH DAN KOMUNIKASI</mods:publisher></mods:originInfo><mods:genre>Thesis</mods:genre></mods:mods>