eprintid: 78006
rev_number: 10
eprint_status: archive
userid: 12460
dir: disk0/00/07/80/06
datestamp: 2026-09-02 02:17:31
lastmod: 2026-09-02 02:17:31
status_changed: 2026-09-02 02:17:31
type: thesis
metadata_visibility: show
contact_email: muh.khabib@uin-suka.ac.id
creators_name: Mohammad Rendy Saputra, NIM.: 22102010073
title: REPRESENTASI MAKNA HIJRAH PADA TOKOH ALINA DALAM FILM “PENGIN HIJRAH” TAHUN 2025
ispublished: pub
subjects: 297.60
divisions: jur_kpi
full_text_status: restricted
keywords: Representasi, Hijrah, Semiotika Roland Barthes, Film Pengin Hijrah
note: Muhammad Lutfi Habibi, M.A.
abstract: study examines the representation of the meaning of hijrah in the character of Alina in the film Pengin Hijrah (2025). From Sayyid Qutb's perspective, hijrah is understood as a multidimensional transformation process encompassing physical, psychological, and spiritual aspects, rather than merely a physical relocation. This study aims to reveal how the film represents this process of hijrah through its narrative and cinematic elements. The research employs a qualitative method using Roland Barthes' semiotic analysis approach combined with Stuart Hall's theory of representation. The primary data consist of eight scenes depicting Alina's process of hijrah, which are analyzed through Barthes' three stages of signification: denotation, connotation, and myth. Narrative and cinematic elements serve as the units of analysis used to examine the signs representing the meaning of hijrah. The findings indicate that the representation of Alina's hijrah is manifested through three interrelated dimensions. The spiritual dimension is evident in four scenes: Obedience to God's Command, Awareness and Intention to Change, Strengthening of Faith through Death, and Hijrah Based on Intention. The psychological dimension is evident in three scenes: Consequences of Action, the First Test of Hijrah, and Sincerity toward God's Decree. The physical dimension is evident in two scenes: Awareness and Intention to Change and the Realization of Hijrah. The dominance of the spiritual dimension indicates that Alina's hijrah is grounded in intention and obedience to God as its primary foundation. The film Pengin Hijrah represents the complexity of a public figure's process of hijrah, affirming that genuine transformation must be grounded in sincerity, rather than merely a change in appearance or profession.
date: 2026-08-10
date_type: published
pages: 139
institution: UIN SUNAN KALIJAGA YOGYAKARTA
department: FAKULTAS DAKWAH DAN KOMUNIKASI
thesis_type: skripsi
thesis_name: other
citation:   Mohammad Rendy Saputra, NIM.: 22102010073  (2026) REPRESENTASI MAKNA HIJRAH PADA TOKOH ALINA DALAM FILM “PENGIN HIJRAH” TAHUN 2025.  Skripsi thesis, UIN SUNAN KALIJAGA YOGYAKARTA.   
document_url: https://digilib.uin-suka.ac.id/id/eprint/78006/1/22102010073_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf
document_url: https://digilib.uin-suka.ac.id/id/eprint/78006/2/22102010073_BAB-II_sampai_SEBELUM-BAB-TERAKHIR.pdf