relation: https://digilib.uin-suka.ac.id/id/eprint/78214/ title: REPRESENTASI PENERIMAAN TAKDIR DALAM LIRIK ALBUM JALARAN SADRAH KARYA BARASUARA (ANALISIS SEMIOTIKA ROLAND BARTHES) creator: Muhammad Imtiyazuddin, NIM.: 22107030060 subject: 306.484 Musik (Aspek Sosial Dan Budaya Dari Musik, Sosiologi Musik) description: This study examines the representation of fate acceptance in the lyrics of Jalaran sadrah, an album by Barasuara. The research aims to reveal how the concept of accepting fate is represented through lyrical signs and meanings. This study employs a qualitative descriptive approach using Roland Barthes' semiotic analysis, which consists of denotation, connotation, and myth. The research data consist of song lyrics from the Jalaran sadrah album, supported by interviews with Denzel from Buzzine.id as a triangulation source and relevant literature. The findings indicate that the representation of fate acceptance in the album is not portrayed as passive surrender, but rather as an active process of acknowledging reality, accepting life's uncertainties, and continuing to move forward with resilience and self-awareness. Through symbolic language, metaphors, and cultural values embedded in the lyrics, Barasuara constructs the meaning of fate acceptance as a form of emotional maturity and personal growth. These findings demonstrate that music lyrics function not only as artistic expression but also as a medium for conveying philosophical and social meanings related to human life. date: 2026-08-12 type: Thesis type: NonPeerReviewed format: text language: id identifier: https://digilib.uin-suka.ac.id/id/eprint/78214/1/22107030060_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf format: text language: id identifier: https://digilib.uin-suka.ac.id/id/eprint/78214/2/22107030060_BAB-II_sampai_SEBELUM-BAB-TERAKHIR.pdf identifier: Muhammad Imtiyazuddin, NIM.: 22107030060 (2026) REPRESENTASI PENERIMAAN TAKDIR DALAM LIRIK ALBUM JALARAN SADRAH KARYA BARASUARA (ANALISIS SEMIOTIKA ROLAND BARTHES). Skripsi thesis, UIN SUNAN KALIJAGA YOGYAKARTA.