<mets:mets OBJID="eprint_78495" LABEL="Eprints Item" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mets="http://www.loc.gov/METS/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mets:metsHdr CREATEDATE="2026-09-30T03:39:00Z"><mets:agent ROLE="CUSTODIAN" TYPE="ORGANIZATION"><mets:name>Institutional Repository UIN Sunan Kalijaga Yogyakarta</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="DMD_eprint_78495_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:titleInfo><mods:title>Deconstructing the Masculinity of the Rib Discourse in Nizār Qabbānī’s Poem “Taktubīn al- Syi’r.. wa Uwaqqi’ Anā..”</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">-</mods:namePart><mods:namePart type="family">Yulia Nasrul Latifi</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:name type="personal"><mods:namePart type="given">-</mods:namePart><mods:namePart type="family">Izharulhak Saiful Hafni</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>Nizār Qabbānī’s poem “Taktubīn al-Syi’r.. wa Uwaqqi’ Anā..” offers&#13;
reflections that invite a rethinking of the patriarchal cultural&#13;
construction embedded in binary opposition, and specifically of the&#13;
discourse of the masculine rib, which many understand as given in&#13;
the way religious doctrine is generally understood. The poem presents&#13;
its thought in a deconstructive style, toward the reconstruction of a&#13;
more humanist cultural formation capable of restoring women’s&#13;
autonomy as human beings.&#13;
Two principal findings emerge. First, the oppressive discourse of&#13;
the rib within binary opposition is a falsehood concealing a patriarchal&#13;
ideology that oppresses women to enforce male domination. That&#13;
ideology has shaped a reality in which women have been left behind&#13;
and have experienced radical human degradation across millennia.&#13;
Second, the radical deconstruction the poem performs operates&#13;
through the reversal of the binary opposition of the rib myth as a&#13;
strategy for strengthening women’s humanity. The discovery of&#13;
ancient matriarchal traces functions as a trace producing différance,&#13;
thereby deferring and destabilising fixed meaning. The instability of meaning within the opposition between masculine subjectivity and&#13;
feminine objectivity renders the rib myth a constructed rather than a&#13;
given truth. That unstable opposition is ultimately dismantled to&#13;
establish a new egalitarian relation and to eliminate the centre within&#13;
binary structures.&#13;
The wider significance of the reading lies in its final refusal. It&#13;
would have been simpler for the poem to answer millennia of&#13;
subordination with an assertion of feminine supremacy, and the&#13;
historical material it invokes would have supported such an assertion.&#13;
That it declines to do so, insisting instead that women exist as&#13;
themselves and that no pole should occupy the centre, is what&#13;
distinguishes deconstruction from inversion. The ethical aim is not to win the opposition but to dissolve it.</mods:abstract><mods:classification authority="lcc">800 Literature/Kesusastraan</mods:classification><mods:classification authority="lcc">Kesusastraan Arab</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2026</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>Center of Conservation Sustainable Heritage (CaSEH),</mods:publisher></mods:originInfo><mods:genre>Book Section</mods:genre></mets:xmlData></mets:mdWrap></mets:dmdSec><mets:amdSec ID="TMD_eprint_78495"><mets:rightsMD ID="rights_eprint_78495_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:useAndReproduction>
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