<mods:mods version="3.3" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mods:titleInfo><mods:title>TRADISI MERARIQ DALAM ARUS BUDAYA ISLAM DAN MODERNITAS GLOBAL</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">NIM.: 23300011011</mods:namePart><mods:namePart type="family">Abdurrazak</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>Merariq is a wedding tradition performed by the people of Sasak&#13;
tribe of Lombok on the basis of local belief system. The presence of&#13;
Islam and the penetration of global modernity bring about changes in&#13;
the procession, norms, values, practices, symbols, and social meaning.&#13;
This research aims to know merariq tradition practice amid the stream&#13;
of Islam and global modernity. The study also views the&#13;
transformation and reconstruction processes. This qualitative research&#13;
examines cases occurring in several locations in Lombok (Mataram,&#13;
West Lombok, Central Lombok, East Lombok, and North Lombok).&#13;
Collected through observation, interviews, and documentation, the&#13;
data is analyzed under Miles and Huberman data analysis technic.&#13;
While a theory of Rites of Passage of Arnold van Gennep is used to&#13;
view the practice of merariq, liquid modernity theory by Zygmunt&#13;
Bauman is applied for a transformation and reconstruction analysis.&#13;
The study discovers that the merariq tradition is a series of&#13;
wedding processions within Sasak Muslim society, carried out in three&#13;
stages. First, a pre-liminal phase, which is midang procession, second,&#13;
liminal phase, which comprises memulang/memalung, besebo, sejati,&#13;
selabar, and ngawinan, third, post-liminal phase, which consists of&#13;
begawe, sorong serah aji kerame, nyongkolan, and bales lampak nae.&#13;
The values, meaning, and symbols existing in each phase are all Sasak&#13;
custom-based. The presence of Islam in local culture bears normative&#13;
and spiritual values, and structurally adjusts component of custom&#13;
controversy to suit Islamic sharia. At this point, Islam brings about a&#13;
tradition of merariq ntan agame. In addition, global modernity comes&#13;
through education and technology as transformation energy to make&#13;
merariq personal, independent, and legitimate decision. Education&#13;
turns merariq into a tradition of merariq saq tapeq, and technology&#13;
into merariq saq molah one.&#13;
This research also reconstructs the merariq tradition practiced&#13;
by Sasak Muslim society of Lombok into four parts (i.e. from custom&#13;
to sharia, from traditional to rational, from ritual to festival, and from analog to digital). The reconstruction has made social structure and&#13;
tradition meaning liquid. Therefore, merariq tradition within Sasak&#13;
Muslim society nowadays is a collaboration of tradition, Islam, and&#13;
global modernity into a single arena of ritual named merariq serebuk&#13;
without eliminating its essence of values and meaning. It is, in fact,&#13;
merely about renewal, adjustment, and modification, making merariq&#13;
tradition meet sharia and contemporary era. The dynamics shows that&#13;
the Sasak society of Lombok has created a new rich religious tradition,&#13;
and makes the tradition survive and up-to-date.</mods:abstract><mods:classification authority="lcc">297.267 Islam dan Seni, Islam dan Budaya, Seni Islam, Budaya Islam</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2026-08-28</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>UIN SUNAN KALIJAGA YOGYAKARTA;PASCASARJANA</mods:publisher></mods:originInfo><mods:genre>Thesis</mods:genre></mods:mods>