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        <dc:title>KOMODIFIKASI PRAKTIK MEBANTEN DALAM PARIWISATA BUDAYA PADA LINGKUNGAN KELUARGA PURI AGUNG KARANGASEM, BALI</dc:title>
        <dc:creator>M. Tata Nashrirrahman, NIM.: 22105040040</dc:creator>
        <dc:subject>201.7 Agama - Sosial Budaya</dc:subject>
        <dc:description>Cultural tourism in Bali pushes traditional religious practices into the market&#13;
sphere. When the domestic area of Puri Agung Karangasem opened as a tourist destination,&#13;
the mebanten ritual faced tension between its internal religious function and the demands&#13;
of the tourism industry. This study aims to describe the practice of mebanten within the&#13;
family of Puri Agung Karangasem in the context of Balinese tourism and to analyze the&#13;
commodification process affecting that practice.&#13;
The study uses a qualitative approach with a field research design. The researcher&#13;
collected data through passive participatory observation, interviews with ten people&#13;
representing various segments, namely two core members of the Puri Agung Karangasem&#13;
family, one puri figure holding customary authority, two pemangku or ritual performers,&#13;
two women who make banten, one puri manager connected to tourism activities, one&#13;
cultural tour guide, and one local resident involved in ritual activities, along with&#13;
documentation. Data analysis followed the stages of data reduction, data display, and&#13;
verification and conclusion drawing, using Pattana Kitiarsa's theory of religious&#13;
commodification as the analytical framework.&#13;
The findings reveal two main points. First, mebanten is still performed under strict&#13;
customary structures and rules amid the presence of tourists. The puri manages visitor flow&#13;
and applies ethical regulations so that daily rituals continue without losing their authentic&#13;
form and religious meaning. Second, the commodification of mebanten operates as a&#13;
negotiation between sacred value and economic value, not as a dissolution of sacredness.&#13;
This process appears across four dimensions: spatial commodification through selective&#13;
curation, the commoditization of ritual objects at the surface commercial layer, customary&#13;
authority as a three-node control mechanism, and the consumption of religious experience&#13;
that transforms exchange value into spiritual use-value. The study concludes that religious&#13;
commodification does not always signal the decline of sacred value. Traditional institutions&#13;
hold the agency to open a surface layer for tourist consumption while preserving the&#13;
theological core of the ritual, allowing sacred and economic values to coexist through&#13;
management rooted in tradition.</dc:description>
        <dc:date>2026-08-03</dc:date>
        <dc:type>Thesis</dc:type>
        <dc:type>NonPeerReviewed</dc:type>
        <dc:format>text</dc:format>
        <dc:language>id</dc:language>
        <dc:identifier>https://digilib.uin-suka.ac.id/id/eprint/79119/1/22105040040_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf</dc:identifier>
        <dc:format>text</dc:format>
        <dc:language>id</dc:language>
        <dc:identifier>https://digilib.uin-suka.ac.id/id/eprint/79119/2/22105040040_BAB-II_sampai_SEBELUM-BAB-TERAKHIR.pdf</dc:identifier>
        <dc:identifier>  M. Tata Nashrirrahman, NIM.: 22105040040  (2026) KOMODIFIKASI PRAKTIK MEBANTEN DALAM PARIWISATA BUDAYA PADA LINGKUNGAN KELUARGA PURI AGUNG KARANGASEM, BALI.  Skripsi thesis, UIN SUNAN KALIJAGA YOGYAKARTA.   </dc:identifier></oai_dc:dc>
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