<mods:mods version="3.3" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mods:titleInfo><mods:title>WAYANG SAMBUNG LAKON SEMAR MBANGUN UMAT: KONSTRUKSI DAN TRANSMISI NILAI-NILAI PENDIDIKAN ISLAM DALAM BUDAYA LOKAL</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">NIM.: 20300011036</mods:namePart><mods:namePart type="family">Lutfianto</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>Islamic education takes place through formal educational&#13;
institutions and cultural practices that thrive within society.&#13;
Performing arts are one cultural medium with the potential to convey&#13;
Islamic educational values contextually. Wayang Sambung, a&#13;
performing art form that combines puppetry traditions with Islamic&#13;
messages, demonstrates the dynamic relationship between local&#13;
culture and Islamic education. This study aims to analyze the&#13;
construction and transmission of Islamic educational values in the&#13;
Wayang Sambung play Semar Mbangun Umat and to explain the local&#13;
cultural mechanisms involved in this process.&#13;
&#13;
This research uses a qualitative approach with a case study&#13;
design. Data were obtained through audiovisual documentation of the&#13;
Wayang Sambung performance of the Semar Mbangun Umat play,&#13;
non-participatory observation, and in-depth interviews with the&#13;
puppeteer, the caretaker of the Ki Hajar Dewantara Islamic Boarding&#13;
School as the organizer of the performance, and the students who&#13;
watched the performance. Data were analyzed thematically and&#13;
interpretively through a study of visual, musical, verbal, performative,&#13;
and dramaturgical elements, as well as the informants' interpretations&#13;
of the Islamic educational values represented in the performance.&#13;
&#13;
The results of the study indicate that the values of Islamic&#13;
education in Wayang Sambung are constructed through a cultural&#13;
representation system that integrates visual, musical, verbal,&#13;
performative, and dramaturgical elements into a unified performance.&#13;
This representation system builds meaning through symbols,&#13;
narratives, dialogues, music, the actions of the characters, and&#13;
dramatic structures that represent the values of faith, sharia, and&#13;
morals. Once constructed, these values are transmitted through&#13;
aesthetic, cognitive, emotional, and social experiences that enable the&#13;
audience to understand, internalize, and reflect on the messages of&#13;
Islamic education in the context of local culture. The research findings&#13;
indicate that moral values are the dominant orientation that connects theological and normative dimensions with the practices of social life&#13;
in society.&#13;
This research found that the transmission of Islamic educational&#13;
values in Wayang Sambung occurs through the mechanism of&#13;
constructing cultural representations, allowing local culture to&#13;
function as a medium for conveying religious messages and a&#13;
pedagogical space that shapes the meaning and learning experiences&#13;
of the community. These findings enrich the study of local culturebased&#13;
Islamic education by demonstrating that traditional performing&#13;
arts can serve as a mechanism for constructing and transmitting&#13;
Islamic educational values in a contextual and sustainable manner.</mods:abstract><mods:classification authority="lcc">306.409 598 2	Budaya dan Kebudayaan - Jawa</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2026-08-27</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>UIN SUNAN KALIJAGA YOGYAKARTA;PASCASARJANA</mods:publisher></mods:originInfo><mods:genre>Thesis</mods:genre></mods:mods>