Institutional Repository UIN Sunan Kalijaga YogyakartaKONSTRUKSI REALITAS TERORISME DALAM FILM: ANALISIS WACANA VAN LEEUWEN PADA FILM 13 BOM DI JAKARTANIM.: 22107030059Dea FadhilaauthorContemporary terrorism is no longer limited to bomb attacks and religious propaganda but has evolved into new forms influenced by digital technology. As a discourse, terrorism is constructed through various media, one of which is film, which functions as a medium for producing meaning and shaping audiences' perceptions of reality. This study aims to analyze the construction of terrorism discourse in the Indonesian film 13 Bombs in Jakarta using Theo van Leeuwen's Critical Discourse Analysis within a constructivist paradigm. A qualitative approach was employed by analyzing dialogues and visual representations through Van Leeuwen's exclusion and inclusion strategies. The findings were subsequently interpreted using Berger and Luckmann's theory of the social construction of reality, encompassing the processes of externalization, objectivation, and internalization. The findings reveal that the construction of terrorism discourse is developed through the representation of social actors, resulting in five interconnected themes: economic inequality as the primary motive for terrorism, digital technology as an instrument of modern terrorism, anonymous threats as a characteristic of contemporary terrorism, civilian vulnerability as the principal consequence of terrorism, and the dominance of state institutions in shaping public understanding of terrorist threats. The discussion reveals that economic inequality is constructed not only as part of the antagonist’s motivation but also as a form of criticism toward the protagonist, particularly the government, in managing social inequality. Keywords: terrorism discourse, economic inequality, digital technology, Theo van Leeuwen, Film 13 Bom di JakartaIlmu Komunikasi2026-08-14UIN SUNAN KALIJAGA YOGYAKARTA;FAKULTAS ILMU SOSIAL DAN HUMANIORAThesis

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