<> "The repository administrator has not yet configured an RDF license."^^ . <> . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n"^^ . "Maulid is one of a growing Islamic culture in Indonesia. In some areas,\r\nespecially in Java and pesantren-scope, Maulid has become a tradition that even\r\nroutine every week. Maulid is a tradition that is done to commemorate the birth of\r\nProphet Muhammad.\r\nMaulid is conducted with recitation of the narrative stories contained in\r\nbook. The books that contain a history of the Prophet's birthday are very diverse,\r\nsuch as Mawlid al-Diba'i, Mawlid al-Barzanji, and Qashidah Burdah and Mawlid\r\nShimtud Durar. Generally each book of mawlid contains a history, a story or a\r\nnarrative about the prophet from his birth until the details of his behavior and\r\nphysical depiction of the prophet. These books are not just about the narrative\r\nstory, but also contains qasidah and shalawats that are chanting the praises of the\r\nProphet Muhammad, so shalawats and Maulid become integral and inseparable.\r\nTraditions of Maulid and shalawat, during its development not only thrive\r\nin Pesantren, but also outside the Pesantren and carried out by Muslims to form\r\nassemblies or jam'iyyahs that specifically facilitate the activities of the Prophet's\r\nMaulid. One of the assemblies is Jam'iyyah Ahbabul Musthofa. Jam'iyyah\r\nAhbabul Musthofa in each Maulid use classic book \r\n(\r\nkitab\r\n)\r\n Shimtud Durar as a\r\nreference. At first, the followers who attended the Maulid of Jam'iyyah Ahbabul\r\nMusthofa just around hundreds. But by its development, now it’s measured the\r\nnumbers of followerss who attend every Maulid activity could reach thousands of\r\nattendances which made this Jam'iyyah as a phenomenon among moslem society\r\nin Yogyakarta.\r\nThe popularity of the Jam’iyyah is inevitable from its leader, namely\r\nHabib Syech bin Abdul Qadir Assegaf. The shalawats which were sung by him\r\nbecome increasingly popular in the ears of the community. Even he published\r\nseveral albums in the form of tapes, mp3 or CD that contain recorded qasidahs\r\nand shalawats which are enjoyed by his followers and sympathizers. This\r\npopularity was also supported by a fanatical sympathizers and commodification\r\nattributes that shows the identity of this assembly, like shirts, scarfs, flags and\r\njackets that symbolize that a person is a part of this Jam'iyyah, all of which leads\r\nto a popular culture phenomenon that stole the attention of the researcher.\r\nThe research uses participatory action research or field research, and\r\nconducted Focus Group Discussion among the followers of Ahbabul Musthofa in\r\norder to obtain data while examining collected data with the popular culture\r\ntheories that are available in many literatures. Therefore, by looking at the\r\nphenomenon of Islamic culture from various perspectives, especially from the\r\nperspective of popular culture, the researcher intends to carry out a research in the\r\nform of a final thesis entitled \"Maulid and Shalawat in The Perspective of Popular\r\nCulture: Study of Jam'iyyah Ahbabul Musthofa Yogyakarta\"."^^ . "2013-05-30" . . . . "UIN SUNAN KALIJAGA"^^ . . . "FAKULTAS ADAB DAN ILMU BUDAYA, UIN SUNAN KALIJAGA"^^ . . . . . . . . . "NIM. 09120034"^^ . "RIFQI FAIRUZ"^^ . "NIM. 09120034 RIFQI FAIRUZ"^^ . . . . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n (Text)"^^ . . . "BAB I, V, DAFTAR PUSTAKA.pdf"^^ . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n (Text)"^^ . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n (Other)"^^ . . . . . . "lightbox.jpg"^^ . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n (Other)"^^ . . . . . . "preview.jpg"^^ . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n (Other)"^^ . . . . . . "medium.jpg"^^ . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n (Other)"^^ . . . . . . "small.jpg"^^ . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n (Other)"^^ . . . . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n (Other)"^^ . . . . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n (Other)"^^ . . . . . . "MAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE\r\n\r\n(\r\nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA\r\n)\r\n (Other)"^^ . . . . . "HTML Summary of #9020 \n\nMAULID AND SHALAWAT IN POPULAR CULTURE PERSPECTIVE \n \n( \nSTUDY OF JAM’IYAH AHBABUL MUSTHOFA YOGYAKARTA \n) \n\n\n" . "text/html" . . . "Sejarah Peradaban / Kebudayaan Islam"@en . .