PESAN FEMINISME POSTMODERN PADA AMERICAN TELEVISION MINISERIES WANDAVISION ANALISIS SEMIOTIKA ROLAND BARTHES

Bariex Dwi Marchtino, NIM.: 18107030046 (2022) PESAN FEMINISME POSTMODERN PADA AMERICAN TELEVISION MINISERIES WANDAVISION ANALISIS SEMIOTIKA ROLAND BARTHES. Skripsi thesis, UIN SUNAN KALIJAGA YOGYAKARTA.

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Abstract

The mass media is a means of communication to the public that can convey social realities that occur in human life. Women are often used as objects in the mass media, the characterization of women in the mass media in general convey about the representation. One of them is about the representation of feminism. This study aims to provide understanding to the audience that the film not only as a means of entertainment but can also be a means of learning. This research is a qualitative study using the method of semiotic analysis of Roland Barthes. Denotation, connotation, and myth used to analyze the impressions of the film WandaVision. This study also use the analysis of the scene, visual, sign, backsound, and the mise en scene of the film WandaVision. As a result, the impressions of the film WandaVision represents a message of feminism postfeminisme. Denotative meaning of the series WandaVision is lifted from the role of the players representing the ideology of feminism which is shown by the direction of the director. Connotative meanings taken from the concept of ideological feminism, which refers to its main purpose, While the myth here is associated with misconceptions or views about the ideology of feminism in Indonesia from the results of the survey and analysis “Magdelene and Indonesia Feminist” as the media of women in Indonesia

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