PANDANGAN MAHASISWA DIFABEL NETRA UIN SUNAN KALIJAGA ATAS KARYA SENI (PERSPEKTIF ESTETIKA IBNU SINA DAN IBNU RUSYD)

Muhammad Yusril Izza Muzakkiy, NIM.: 18105010074 (2023) PANDANGAN MAHASISWA DIFABEL NETRA UIN SUNAN KALIJAGA ATAS KARYA SENI (PERSPEKTIF ESTETIKA IBNU SINA DAN IBNU RUSYD). Skripsi thesis, UIN SUNAN KALIJAGA YOGYAKARTA.

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Abstract

This thesis raised the title "Views of Students with Disabilities Netra UIN Sunan Kalijaga on Works of Art (Aesthetic Studies of Ibnu Sina and Ibnu Rusyd)". The discussion starts from the definition of disability, the variety of disabilities, and the history of UIN as a disability-friendly campus. Then it discusses the definition of aesthetics as a philosophy of art as well as aesthetics according to Ibn Sina and Ibn Rusyd. The purpose and underlying reason for this research is the lack of public trust in people with disabilities, as well as the lack of access for people with disabilities to art or works of art. This research focuses more on the blind at UIN Sunan Kalijaga because of the lack of access for authors to research disabilities in general. This research is a study sourced from field data with interviews and books related to this research. This research also draws its main source from the book Aesthetic History by Martin Suryajaya. This research uses data collection methods through observation, interviews and documentation. Then, this research is processed interpretively and descriptively, in order to make it easier for the author to convey it properly and correctly. This research has a focus of study, namely, what is the disability view of artwork? And what is the disability's view of Ibn Art's aesthetic theory and Ibn Rusyd's on a work of art? This research resulted in the fact that people with disabilities have certain factors to be interested in a work of art. The disability's understanding of the definition of art or artwork, beauty, and aesthetics is subjective. People with disabilities judge and enjoy a work of art with hearing. People with disabilities apply Ibn Sina's theory as the basis for judging and enjoying a work of art.

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