REGISTER AND GENRE ANALYSIS IN MO AMER’S STAND-UP COMEDY ENTITLED “THE VAGABOND”: A SYSTEMIC FUNCTIONAL LINGUISTICS

Khofifah Dwi Astuti, NIM: 20101050065 (2024) REGISTER AND GENRE ANALYSIS IN MO AMER’S STAND-UP COMEDY ENTITLED “THE VAGABOND”: A SYSTEMIC FUNCTIONAL LINGUISTICS. Skripsi thesis, UIN SUNAN KALIJAGA YOGYAKARTA.

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Abstract

Stand-up comedy is a medium that someone can use to express thoughts, experiences, and ideas in society in a humorous way. So, it isn't easy to understand the meaning of the utterance conveyed by the comic without looking at the background of the event, both in the context of the situation and culture. Therefore, this research aims to determine the register and genre of the utterance trascription of Mo Amer's Stand-up Comedy entitled "The Vagabond" using the Systemic Functional Linguistics approach theory from M. A. K Halliday. This research focuses on realizing three metafunctions in this utterance to determine the use of register and genre. The analysis includes three aspects of context: field, tenor, and mode. In analyzing data, the researcher used the descriptive qualitative method. In this research, 473 data were found. From the ideational metafunction analysis that realizes field, which involves the transitivity process, the result is that the process most used in speech is the material process. Then, the interpersonal metafunction that realizes the tenor shows that the relationship between the comic and the audience is unequal. Last, in the textual metafunction that realizes mode, the theme most often found in speech is the unmarked topical theme. It means that the ideas in a stand-up comedy speech are conveyed through a series of clauses that focus on the comic himself. Furthermore, the genre in Mo Amer's stand-up comedy utterance is a type of recount genre because the material presented contains ideas about events that began to occur decades ago.

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