PERLINDUNGAN HUKUM TERHADAP PENCIPTA LAGU ATAS PENGGUNAAN LAGU CIPTAAN YANG DIKOMERSILKAN TANPA IZIN DI KONSER MUSIK

Melan Sri Rahastri, NIM.: 20103040093 (2025) PERLINDUNGAN HUKUM TERHADAP PENCIPTA LAGU ATAS PENGGUNAAN LAGU CIPTAAN YANG DIKOMERSILKAN TANPA IZIN DI KONSER MUSIK. Skripsi thesis, UIN SUNAN KALIJAGA YOGYAKARTA.

Preview	Text (PERLINDUNGAN HUKUM TERHADAP PENCIPTA LAGU ATAS PENGGUNAAN LAGU CIPTAAN YANG DIKOMERSILKAN TANPA IZIN DI KONSER MUSIK) 20103040093_BAB-I_IV-atau-V_DAFTAR-PUSTAKA.pdf - Published Version Download (3MB) | Preview
	Text (PERLINDUNGAN HUKUM TERHADAP PENCIPTA LAGU ATAS PENGGUNAAN LAGU CIPTAAN YANG DIKOMERSILKAN TANPA IZIN DI KONSER MUSIK) 20103040093_BAB-II_sampai_SEBELUM-BAB-TERAKHIR.pdf - Published Version Restricted to Registered users only Download (4MB) | Request a copy

Abstract

Copyright is the right owned by the creator to protect the results of intelligence, thought and reasoning of a person, which is then packaged in the form of works, such as movies, music, or books. However, it often leads to a dispute between the music industry players between the songwriter with the singer or singer with the record company and other elements related to the song industry. There are as many as 3 cases of disputes between songwriters with singers there is copyright infringement occurs when the singer without the permission of the songwriter sings the song at the concert and from the EO organizing the event does not pay royalties. Legal protection for the creator is certainly needed, so that the creator gets legal certainty of his rights that are not fulfilled by the users of the song in this case the concert organizer EO or singer to ask permission and pay royalties in accordance with the song to be performed at the event. Therefore, the formulation of the problem arises: How is the legal protection of songwriters over the use of commercialized songs without permission at music concerts? How is the resolution of the songwriter's dispute with the singer over the unauthorized use of a commercialized song at a music concert? The type of research used is a type of library research (Legal Research) with a juridical-normative approach. Meanwhile, the data analysis method used is deductive analysis. The method of data collection, the compiler uses library research methods with data collection tools using related documents. The research results explain: There is a joint contract agreement between Badai and Kerispatih. Kerispatih stated that it continues to carry out its obligation to pay personally and directly to the LMK. Through SMS to Ahmad Dhani, Once mekel stated that he left Dewa 2010. Once stated that every concert performance makes a contract with the EO, about the responsibility of royalty payments is the EO. As a policy from Stinky, every concert performance is given Rp. 500,000.00 (five hundred thousand rupiah) this is based on an agreement with Ndhank. In resolving disputes that have occurred between songwriters and singers, among others: Kerispatih who pinned an Instagram post about his Open Clarification. Ahmad Dhani's dispute with Once Mekel was resolved using alternative dispute resolution with mediation. Ndhak Surahman posted on Youtube a clarification video and apology for Ndhank Surahman's Somasi to Stinky and Andre Taulany. Overall, it was resolved using alternative dispute resolution by way of mediation.

Share this knowledge with your friends :

Actions (login required)

View Item